16 bars: choosing and cutting your audition song.
Sixteen bars is around thirty seconds. Choose a song that shows the right thing for this role, cut it so it lands, and make it easy for the pianist to play.
1. Read what they've asked for
Check the length (16 bars, 32 bars, a verse and chorus), the style (uptempo, ballad, legit, pop/rock, contemporary) and whether songs from the show are allowed. Many panels ask for something in the style of the show but not from it.
2. Choose for the role, not for showing off
Pick a song that tells them you can play this part: the right era and style, a character close to the role's, and your voice where it's strongest. A song you can act beats a song you can only sing. Avoid anything the panel will have heard ten times today unless you're sure you own it.
3. Find the cut
- Sixteen bars usually means the last sixteen: the build and the end of the song, where it lands. Count the bars on the music, not by ear.
- Start somewhere that makes sense as a sentence and end on a strong, held note or a clean button.
- Time it. If it runs much past forty seconds, it's probably not 16 bars.
4. Mark the music for the pianist
- Bring clean sheet music in your key, in a folder, printed double-sided or taped so the pages don't fall.
- Mark the start and end clearly (a bracket or highlighter), any repeats or jumps, and the tempo.
- Tell the pianist the tempo briefly, perhaps by singing a line quietly; don't click your fingers at them. Thank them.
5. Act it
Treat the song as a scene: who you're singing to, what you want, and where it changes. Thirty seconds is enough to show a character, if you decide what you're playing before you open your mouth.
The Half turns your casting email and sides into a brief: who you're playing, the choices the scene turns on, your song, what to wear, and a plan to the deadline.
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